My work begins where structure meets fluidity — in the space where geometric precision dissolves into organic form. Trained as a physicist, I have long understood that the universe reveals itself in patterns: in wave functions and tessellations, in the cyclical pull of tides, in the invisible web connecting all things. Painting became the way I could explore those same patterns with my hands.

I build my canvases in layers — each one a moment in the life of the work, an accumulation of time and change. Raised lines trace connections across the surface like the scaffolding of the universe itself, while the spaces they create hold their own quiet individuality. More recently, I have moved toward smoother surfaces and surrealist imagery, turning inward to explore questions of self-identity through unexpected juxtapositions. My frames, often recycled or handcrafted from reclaimed materials, extend this philosophy: that something set aside can be given renewed purpose, and that nothing exists in isolation.

I think of each piece as half a conversation. I offer the image — its color, texture, tension, and silence — but the meaning belongs to whoever stands before it. Every viewer completes the work differently, and that exchange is where the art truly lives.